New York Fashion Week Review: Nolcha Fashion Show, Part 1: Christina Crawford

With an aim to highlight the emerging and independent fashion designer market, Nolcha shows are always a special treat for me each season. Though this show was marked with some general confusion (the show began late, and there was some confusion with seating), it seems that the Nolcha events get better and better every year, and this set of shows did not fail to impress.


Seeking inspiration from style icon Marilyn Monroe, the show began with the work of Milan-based designer Christina Crawford, whose Spring/Summer 2010 collection taps into soft forms, a sensual palette and streamlined femininity.



I particularly liked this collection for its ability to merge modern elements with more delicate, feminine aspects. It seems far too often modern influences turn all too quickly into something more masculine and strong. It was nice to see the frills and soft edges remain, but made significantly less saccharine by being combined with strong lines, and a minimalist sense of proportion.



I had special love for the pleated vest (above), and the cowl neck halter top (below). While I don't get any "Marilyn" vibes from the vest, it's incredibly beautiful, strong piece, that would be a valuable asset in a closet - my minds spins with the potential outfits one could whip up with it. The cowl reminds me extremely of Monroe; I love it's soft structure, and perfectly summarizes the play on feminine/modern I like so much in this collection.





See more pictures from this show, here.

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New York Fashion Week Review: IFB Dress Up Soireé - 09.14.09

Monday I headed over to IFB Dress Up Soireé, hosted by Independent Fashion Bloggers. Talk about a healthy turn out - the line to get in extended practically the entire block. Yeesh. I knida wondered what kind of magical New York venue was going to be able to hold all these folks.



When I got inside, I discovered it really couldn't. It was packed - so much so that a majority of attendees had to linger downstairs whilst the panel went on. I got in about halfway through Susie Bubble's piece. I was kinda wedged behind the panel for the first half - hence the back shots. It did offer nice audience shots, though. Man, what a stylish crowd.



Due to the large crowd lingering downstairs, there was a lot of "shushing" occurring from those within earshot of the panel, as the bloggers speaking began to get drowned by the party breaking out below them. Add to that some microphone problems that cropped up several times during the event, and it was rather tricky to hear several parts of the panel. That's saying a lot, since I was right behind them.



Space and technical issues aside, the parts of the panel discussion I was able to catch was great. It was wonderful to hear so much about the blogosphere and fashion straight from some of the most respected names in the biz. The discussion was broken up into two parts, and took a lot of questions from the audience. Topics were as varied as to where the panelists get their inspiration from, to how to handle PR agencies and copyright rules, to little things, like what kind of blog reader Susie uses ("Blog Lines," I think).



By the second part of the panel, I was able to cram into the actual room the panel was being held in, which made it much easier to enjoy the speakers. I was especially stoked to hear from Helen Zhu of Chictopia, and Tricia Royal of Wardrobe Remix fame.



Unfortunately, due to the throng downstairs, much of the speaking in the second half was cut rather short. However, once the talk stopped, the party began! There was a heck of a lot of photographing and mingling occurring. However, I being the delicate, 9-to-6 flower, I didn't stick around to long. Also, it's a little mind-bending to see that many bloggers in such a contained, non-internet space.



All in all, quite a time!

New York Fashion Week Review: Nolcha Ethical Fashion Preview

Yesterday I kicked off New York fashion week by attending Nolcha Ethical Fashion Preview. It was a great gathering of eco-conscious independent fashion and accessory labels, set in the intimate environment of the Carlton Hotel.

Beauty VT was on hand, providing free self-applied makeovers using their interactive platform.



Sweet bloomers, a la Rene Geneva Design.



There were many designers there, but most notably were those with Bel Esprit, a company "committed to promoting new and emerging designers and helping retailers discover new collections and established brands not shown in their regional market." This coat by Van Markoviec is everything I idealize in my clothing: well structured, a piece that adopts and embraces the draping of the material, rather than constraining it to its will. Simply stunning.


I particularly liked the work of Elena Garcia, whose separates in this collection were inspired by Queen Victoria and socialite Daphne Guinness. I just adore rumpled elegance.


Love the detailing in this lovely dress by Tammam.


This coat by Emesha is super-structured, but soft. Soft-structured?



All in all, a great little event.

Ports 1961 - Spring 2010

As a follow-up to my post about the pre-spring show, I wanted to show more of the pieces in Ports 1961 newest collection. There is this lovely, 20-s vibe that is so lovely and easy. Totally eating it up.

Ports 1961 Pre-Spring 2010 Collection Presentation

Last month, I had the pleasure of attending the Ports 1961 Pre-Spring Presentation. It took place in the Meatpacking District, in the midst of a torrential downpour. There's something extremely amusing showing up to a fashion show, resembling a drowned rat.



The presentation was delightfully small and informal. Unlike your standard runway show, the small setting allowed for a much more close-up perusal of the clothing, hanging on racks and displayed by models. An ideal environment for a blogger.



The collection did not fail to impress: beautiful, clean pieces, that harken back to classic standards, yet all the while completely fresh and modern in their simple comfort and sensibility of form.





A perfect example of some of the detail one can appreciate in such an informal, personal showing.





One of my personal favorite pieces was a series of crocheted necklaces. They feel so organic, and quirky in a lovely way.

CMYKaboom! in Shoe Form

Last week, I had the pleasure of visiting the Nike Store in Manhattan , and designing my own custom sneakers!

The staff were absolutely amazing, extremely knowledgeable on all the different types of shoe, and the best ones to fit your needs. They had hundreds of sample sneakers to try on to find just the right pair. I desperately was in need of a new pair of running shoes, and fell in love with the Zoom Victory's, a ultra-lightweight running shoe with great support. Of course, I couldn't resist making shoes that paid tribute to my little old website. Hence, I dubbed them the CMYKaboom Sneak:



Pretty snazzy, eh? The neatest part is, other people can order your design, too. You can order this design on the Nike iD site, here.

To make your own unique Nike custom shoes, visit the NikeiD Store.

Bodkin

Loving up on the sweet, stylish simplicity of Bodkin.





Get yours here.

Outlaws of the Border

I am drooling over the pieces from this new clothing/record label, Outlaws of the Border. Formed by husband and wife team, Lindsay Jones and Gautier Pellegrin, these duds turn some mean structural tricks, whilst maintaining that subtle, graceful casual elegance I find so entrancing.







Not only are the structures found within the pieces moving, but the combination of materials is simply delightful. There's nothing to bring out the chunky-wonderfulness of a knit than a subtle silk, or anything quite like the surprise of a satin under a sensible wool. I could incorporate these pieces a million wonderful ways, and always find a rare joy.











To see more of this collection, click here.

Pelvis Presley

Just a few close-ups of that wonderful Laura Burnham necklace I have been sporting like mad. Laura told me she made the cast from the pelvis bone of some unidentified animal.



I know some might find it a little odd to go around wearing a pelvis around your neck, but I consider it a homage to nature, and the art found therein. It's this truly marvelous, mysterious and lovely artifact.



Also, if you are as enamored of her work as I am, here's a little news:

If you are in the New York area, there's a sample sale today at
Tucker by Gaby Basora, 13 Essex St (between Hester and Canal), from 9am to 7pm. Laura works there, and tells me the clothing is beautiful and there will be some really good deals. Best part: Lauren will be selling some jewelry there as well!

If you make it out, tell them CMYKaboom sent ya. ;)

My Daily Covet:"Valentino - A Grand Italian Epic" by Taschen

Valentino Garavani is simply divine - I am not sure if they make men like that anymore. His work defined a generation's idea of elegance: a perfect mixture of European refinement and Italian eccentricity. Throughout the brand's history, Valentino never deviated from his ideals of beauty and grace. As a result, for almost half a century, Valentino Garavani dominated Italian haute couture, dressing the world's wealthiest and most glamorous individuals. Today the brand continues to be a symbol of elegance, beauty and style, due heavily in part to its extensive history in the fashion ring, and it's refusal to balk in the face of shifting fads and fancies.



Taschen has taken us back to Valentino's heyday in their new book, "Valentino - A Grand Italian Epic." This book follows Valentino's remarkable career, and is packed full of stunning images from photo shoots, sketches, and documentary photographs taken from Valentino's personal archives. Accompanying the images are countless articles and interviews with Valentino himself.

Below are just a few of the stunning photos from this book:















I am eager to get my hands on this wonderful tome. It would be an invaluable source of inspiration and information for even the most casual fashion aficionado, and at a cool seventy bucks, it's a Taschen treasure that won't utterly break your budget.

Get your hands on your own hot copy here.

Spooky Sweet Luella: Fall 2008

A dim, dreary day on the east coast this fine afternoon, and it seems only fitting to show a little fashion to match the mood. Taking a little trip in the way-back machine today, to the supremely wonderful, unique collection of Luella, circa Fall 2008. I just love this collection - that Wednesday Adams/Bohemian schoolgirl look is so mysterious and lovely. Also, I think we should all make a concerted effort to wear more witch and gnome haberdashery.





What I find so exciting about this collection is the way Luella Bartley successfully manages to capture that creepy feeling in what is obviously a Halloween inspired collection, without falling into the usual cliched traps surrounding this style and the elements usually used to invoke it. Gingham, puffed sleeves, and twill blend folk and contemporary elements to create a look that is sexy, yet extremely smart and eclectic, with a little bit of "BOO" thrown in for good measure.







Just the sort of thing you'd long to wear on a grim, rainy day...

To see more of the Luella Fall 2008 collection, click here.

Missoni: Happy in Knitland

(Images courtesy of Style.com)
There are many beautiful collections this season, but there is one that has completely enraptured me as of late. I am absolutely, positively, utterly head-over-heels for Missoni's AW09 collection. Entirely centered around knitwear, extreme layering, and a soft-as-snow color palette, Angela Missoni has captured all of my ideal aspirations for winter dressing.


(Images courtesy of Style.com)


(Images courtesy of Style.com)
As many of you who read my blog are aware, I am the antithesis of "suffer for fashion" - I place as much import on whether something feels good as well as looks good. My main clothing goal during the winter are to be warm and comfortable, followed quickly by the desire that it still looks awesome. Missoni's chunky cardigans, Dr.Who-esque scarves, and bunching wool leggings entice me to pile on my knits in wonderful jumble of warmth and comfort, while still looking like elegant and lovely.


(Images courtesy of Style.com)


(Images courtesy of Style.com)
One thing I am just giddy about is the movement in this collection. The swing of the scarves, the swag of those layers really make the individual feel like a presence as they move, like they are the precious nucleus that all those layers of knit are protecting.


(Images courtesy of Style.com)
There is something very gypsy-vagabond about the whole look that I find extremely appealing. Also, it struck me that this collection seems to me the beautiful interpretation of dressing like a Mystic from the Dark Crystal...


If you need me, I'll be in my wardrobe, piling on my sweaters, and wearing scarves as hoods...

Ports 1961 AW09 Fashion Show Review

(Images courtesy of Style.com)

I have been a huge fan of Ports 1961 for some time now, so you can imagine my delight when I received an invite to their show this season. Ports 1961 launched from New York City in 2004 under the vision of Creative Director, Tia Cibani, and since then has become known for its fantastical and romantic forays into the world of culture and woman's wear. Each season, Cibani takes us on another voyage to her idealized style local: this season it was India, and Cibani did not fail to impress on this fantastic voyage.

Upon entering the tent, it was clear that excitement was high for this show. The show itself was by far the most crowded I have experienced - rows upon rows of additional seating were set out to accommodate the audience, as people squeezed, wiggled and cajoled themselves into a chair. Seating did not stop at the runway - actual rows were squeezed ON it, as the models' path brought them in a full circuit around those with coveted seats in the nucleus. (Yours truly was about 6 rows up - which sadly did not make the best photo opp, but we do what we can).


(Images courtesy of Style.com)

Once everyone was tucked in, the show started off with a bang - literally, a cymbal crash. The music for the show was provided by a live brass band, situated at the runway entrance. The music was an uplifting, jaunty beat that immediately called to mind for me the music of
Beirut, and put the audience in the mood to be sipping cool drinks off a liner's prow. What a more suitable entrance for such a seasoned collection?

And seasoned it was, with the scent of cardamom and patchouli, saffron and spice. The show presented itself in unfurlings of sensuous colors: greys, golds, and pinks walked out to the bombast of the tuba. Sizzling golds and magenta shifts were relaxed with loose drapery - creating a new-age sari. Hemlines stayed long and comfortable, and slacks of breathing fabric, loose with a taper at the heel.


(Images courtesy of Style.com)

If there is anything that could be said to question this wonderful collection, it was the seasonal choice. Such steamy fabrics, brilliant golds and relaxed dresses specifically cannot help one thinking about summer rather than fall. However, if Cibani wants to keep us in a state of perpetual August, I am happy to come along, regardless the season.

My photos of the show:



Also, I couldn't wrap a bit about this collection without showing this lovely little outfit worn by Tia herself - it is so comfortable and creative, yet so sweetly feminine at the same time, I just love it...


(Images courtesy of Style.com)

See an interview with Tia talking about her brand here.

Schwag Attack

(I have somehow managed to strain something in my left wrist - i am wearing a brace, and typing really sucks right now. Pardon my brevity.)

Ok, I know you want to see it - the junk I got from Fashion Week. The most impressive schwag by far was definitely the official gift bags given out by the event coordinators. Considering you could only get your hands on these suckers with a special limited coupon, they were a bit of a hot commodity. Fashion Week was also celebrating Barbie's 50th anniversary, hence the bag decorated with the blonde doll monarch:



Inside was stuffed with all sorts of goodies:



Clockwise from Left:

Peroni beer glass

Nozin Nasal Sanitizer: Creepy product you rim in your nose to prevent colds. Creepy.

YKK Zipper Keychain: Cute little keychain that resembles a zipper.

Cool Guide New York: posh little book on all the hip hot spots.

Blank Book

TreSemme shampoo, conditioner and hairspray

"Unexpected Italy": an amazing, beautifully illustrated guidebook of some of the best kept secret locals in Italy. Definitely my favorite piece of schwag.

Fashion Fiz Kit: A little kit with accroutments to keep you looking fab.

McCafe Travel Mug: A leather-lined mug, courtesy of McDonald's cafe installation at Fashion Week.

Mac Eyeliner and lipstick: score!

DHL Metal Luggage Tag

Vitamin Water

Chocolate Martini Glass Rimmer: yum!

I also recieved some interesting goodies at Victorinox. The physical invites were so appealing, I couldn't help but snatch one of the discarded ones after the show. They were printed on a wood panel, and have this great design:



The gift was, appropriately enough, an awesome purple Swiss Army Knife. I cannot wait to sport this puppy on my next camping trip:

1909 Victorinox AW09 Premier Show

(Images courtesy of Wwd.com)

Most people think of Victorinox, they think of the Swiss Army Knife, Victorinox's most popular product. But if designer Pierre-Henri Mattout has anything to do about it, we will soon be turning to this brand for their sharp fashion as well as their sharp knives.

Victorinox launched it's premier fashion collection, 1909 Victorinox, in New York this past week during the AW09 Fashion Week. The show took place at the New York Public Library's Celeste Bartos Center, and upon arrival it was clear that anticipation was high. A large group (myself included), were made to linger outside, invitations in hand, while those with seat assignments came pouring in. Designers Marc Jacobs, Steven Cox, and Daniel Silver were just some of the crowd out in attendance to catch this premier show.


(Images courtesy of Wwd.com)

The show itself was worth the wait. Sport Nouveau, futuristic fabric, and classic reinterpreted knits were the choice of the day, creating a "New Age Camper" style that felt as fun as it did functional.

Many pieces in the collection attempted to bridge the gap between sports wear and business wear, with a hip-hop vibe thrown in for color: cotton sweatpants joined with a posh sport coat, rugged plaid flannel was streamlined into a well-formed button-up shirt, all detailed with super-shiny bronze and silver high-tops, puff coats, and loafers.


(Images courtesy of Wwd.com)

Throughout the collection, a working class sensibility seemed to shine through: high button shirts and workman's coolers paid homage to construction workers, tight leggings and square back packs to bike messengers, plaid shirts and boxy trousers to lumberjacks. These standard characters were given a new breath of life, and carried into the new modern age through form and fabric: even the classic duster was included in the revamp.


(Images courtesy of Wwd.com)

Sure highlights of the show for me where the prints and knit work dappling the collection: an ombre, ribbed print that resembled the amazing knit cooler and backpack cozies added a sense of wildness and ehtnicity to a rather straightforward show.

In closing, 1909 Victorinox's first show succeeded in being beautiful and unique, with a futuristic blue-collar street style that is exciting and very, very fun. Really look forward to seeing more from this new label.

My pics here (Marc Jacobs was sitting opposite me, and is in practically every shot!):

INTERVIEWS: Academy of Art San Francisco: AW09

(Apologies for the lack of posting last week - I am learning that it becomes rather difficult to blog about Fashion Week whilst attending it.)

If there is one thing I almost always love in design, it's independent and student work. I feel that these areas of design really have the freedom and the vision to take work into avenues yet unexplored, to really approach a genre with a clean slate and new eye.

The Academy of Art SF show did not fail to impress in this manner. Work showed a sense of fun. Forms stayed rather traditional and classic, with a strong nod to the past. Heather Howard's collection dominated in this manner, with long, draping coats with the prim collars and strong swing of the 1920's and depression era (and reminiscent of the direction of Marc Jacobs previous season).

Textile exploration was definitely the star of the night, most notably the knitwear work of Scott McFarland and organic and experimental pieces by Qianya Martin. Scott's menswear was a welcome relief from the streamlined, subtle knits that have been dominating the market - his large, chunky hand-knit cardigans, knit pants and caps had a tactility and "big-ness" that felt confident and even sexy - a large accomplishment in big knits.

Where Scott's work went with a strong step, Qianya's work was an easy lope - inspired by the beach, her collection maintained a neutral palette and played on fabric effects that took their cues from the movement of sand and dunes. Fabric effects can often be a sticky field - delve too deeply, and the holistic style of the garment may be shelved. Qianya's sensibility in this field is exquisite - effects and form perfectly married in a garment that feels both beautiful, captivating and comfortable.

I had the pleasure of visiting backstage before this event, and asking the designers to discuss their collections in their own words:

Scott McFarland






Qianya Martin






Heather Howard & Cat Janky






I-Shan Liou & Myoung Hee Kim






Emily Melville & Ivanka Georgieva






More Photos Here:

Morgane Le Fay: AW09

Talk about starting off Fashion Week with a stunner. Friday morning, I trotted off to Wooster St. for Morgane Le Fay's AW09 show. The local was a lovely space on Wooster - a clear glass storefront that opened into a warmly lit space, with a lovely trapeze canopy hanging from the ceiling.

Morgane Le Fay is a fashion house founded in 1982 by Liliana and Carlos Casabal. Liliana, a self-taught designer who has created wistful, evocative pieces for the likes of Bjork and SJP did not fail to impress and set the pace for the season in this small, intimate showing of her recent collection.

The pieces themselves were apropo to their labels moniker: if one word resonated to me throughout the show, it was "fae." But this wasn't your lithe little sprite balancing on a dewdrop: these were ethereal pieces that were as poignant in their fantasy as their sobriety. Filmy dresses were grounded by no-nonsense military-inspired boots and severe black coats, while more straight-laced outfits were given that whimsical touch with well placed feathers or a dash of fur. A rather airy collection was winterized with a serious muted color palette. This is where Casabal's true genius shines: the ability to anchor her ethereal garments with in strong elements of reality, preserving them from being mere flights of fancy but strong, powerful pieces that hearken another realm.



I wish I could put into words how well these pieces move - a majority were a visual feast from all 360 degrees. Again, this is where the Casabals' intelligence in the field shone through in their display: rather than the rigid back-and-forth strut of the standard runway, MLF's show had the models' moving in a twisting sphere around one another, allowing for numerous perspectives generally lost in the standard format.



More than anything, the pieces were marvels of drapery, whose backs were often as fabulous (if not more so) than their fronts. This was just one example of the exquisite surprises this collection contained. A plain frock would stun with a long train; rigid hoop skirts were worn under translucent, diaphanous fabrics, and a smattering of feathers and fur added the perfect touch to delight the eye.



It's a surprising thing to be able to say this about the first collection of the season - but I can say with a clear conscience that Morgan Le Fay's collection will be a sure favorite for me, plain and simple. The bar has been raised, and I am in bliss.

New York Fashion Week Snaps

Chile Fashion Week grafica by kevinkobek

- Just came back from the Morgane Le Fay Show. WOW. Gonna have a lot to talk about there. Really stunning. Also, I got a mind blowing seat - the pics I snapped are enviously rad. No "top of the head" nonsense.

- Bumped in Camille from Childhood Flames at the show. There is a 16% chance I utterly freaked her out when I introduced herself. And yes, she is just as adorable in public.

- For some reason. everyone on Spring around Wooster is GORGEOUS. What is that?

- Someone is a dope, and forgot her memory card reader at home. I'll give you three guesses who. No pics today folks. :/

- Going to the Academy of Art University show tonight. Extremely stoked - student work is always so exciting.

Django Fandango

Have any of you heard of Project Catwalk? Apparently it's the Dutch solution to Project Runway. And Django Steenbakker is apparently their Leanimal, or at least that's the comparison I am drawing as I want to lick both of their clothes.

Unfortunately, I can find surprisingly little about this guy, but o, do I like looking at his recent collection. They are these loose silhouettes packed with little surprises, and remind me of uncovering presents under sheets or something exquisite like that.



For instance, I love how he can take something as cozy as a pair of sweatpants, and just by adding some tiny adjustments (a drawstring, a raised waist) create this wonderful new animal, that is so posh and swank but not trying terribly hard. Also, note that jacket: yes, it uses cut-outs, feathers (chiffon?) AND plexi, and somehow instead of the obvious hot mess I would assume would be the result of all those things used together, they become this wonderful piece that just seems to jump through different time periods. O hells yes.

There is so much fun and excitement in these pieces, tempered with taste and a concern for the casual that keeps them from becoming too bonkers.





Also, tell me this isn't just the cutest baby-faced designer you have ever seen. I want to pinch his cheeks...



See Django's full collection here.

And a great review of his first show by Madame Mode here.

Alexander McQueen for Target

Courtesy of Nylonmag.com

I am sure many of you have heard the news that Alexander McQueen has joined the ranks of Comme des Garcons, Stella McCartney, and Karl Lagerfeld, and is officially designing a line for Target. Upon hearing this, I promptly swooned in anticipation, and began planning my strategy of circumnavigating every shop carrying the collection in a 50 mile radius of Jersey City. I began fantasizing of a summer wearing gold embroidered peacocks, military coats, and Napoleonic-themed sun dresses.

Then I saw the preview. And then I frowned.


Courtesy of Nylonmag.com

Ok, don't get me wrong, there are a lot of really great basics in this collection. There are some extremely nice jackets and cardigans, whose pieces have a very intelligent, angular and minimal cuts. There are a few pieces I definitely want in my wardrobe: specifically, the one-armed tank, the grey geometric dress. I will beat someone over the head for the grey motorcycle jacket. The grey platforms are the nicest shoes I have ever seen come out of Target. (Yes, I have a thing for grey).

BUT. But. This is ALEXANDER MCQUEEN. you know...


Courtesy of Style.com

And yes, I know it would be impossible for them to provide the level of embellishment and perfection as the runway piece, but I expected it to at least have some CUES from his standard fare. Even Comme des Garcons pieces for H&M had that quirky flair that made them feel like they were Kawakubo. There are certain cues I feel are undeniabley McQueen, them being:

- unique, multifaceted fabric patterns
- eccentric embellishment
- a sense of drama

All three of these are severely lacking in the Target pieces. And not one pair of interesting pants?


Courtesy of Nylonmag.com

I am disappointed. I think that even for a more conservative retail market, McQueen could have pushed the boundaries further in this collection. Instead, it feels like he almost forcibly contracted to become more desirable to a larger market, rather than simply being limited due to material and economic constraints. I would have liked to see at least one beautiful fabric pattern (I find the monochrome neon pink tribal and grey face-screens rather generic and dull), and a couple of pieces that held on to the eccentric sense of imagination that makes McQueen's work so unique.

However, I feel that whenever a high-end designer embraces the retail end, it is a step in the right direction. Make sure you cue up early friends - this is sure to sell out quickly.

To see the whole preview, click here.

What do you think of the collection? Am I alone in this?

Yigel Azrouel

Right around last fashion week, I clipped out a small article about a designer called Yigel Azrouel. I was captivated by the 2 outfits it showed, particularly the shoes - curved-toe wonders with an Asian flare and western sensibility. I prowled around for some more info, and coming up with little I put it away to gather dust in some small, forgotten corner of my office.

Fortunately for me, Queen Michelle jogged my memory with a feature on her blog about the designer. Once again feeling the exploratory pangs, I went hunting online again for more information. This time, I was a bit more lucky - and got my hands on the SS09 look book.







Looking through his pieces, I have fallen madly, madly in love with Azrouel's work. His design aesthetic is obviously similar to my own: casual drapery to elegant effect. There is such a love to these pieces that I can't put it to words: a crafted carelessness in their beauty that to me embodies the goal of all good design.

The crafted embellishments are the perfect partner to the draping fabric, and maintain a feeling of being both homespun but also elegantly couture. In other pieces, nartive fabrics give just the right amount of zing to spice up the lazy elegance into a fun summer vibe - and has me foreseeing a summer digging up tribal print scarves to wear as skirts and tops.







All in all, Azrouel's Look Book shows us someone at the top of his game, and a genius when it comes to hanging fabric - a designer who is truly unafraid to allow the beauty of the material take a bow, without abandoning his own control throughout.





And THESE little beauts are my new favorite shoe - though having finally gotten hold of a side-view of them, I am seriously concerned about that slim high little heel...better start practicing my trapeze...

Josh Goot, Woot

I love discovering the processes that a designer uses to create something fantastic, as marvelously quirky and brilliant as they can be. For instance, Australian designer Josh Goot created the fabric designs for his SS09 collection by sloshing watercolors directly on a flatbed scanner, and then digitally manipulating them. The result are vibrant, sleek liquid forms that seem to slip and slide across the wearer.



I love this collection because of its cleanness. The watercolor effect is surprisingly crisp and clean for being a color swirl, and the unprinted pieces have a sharpness and simplicity of form that is utterly refreshing and makes me long for the light, unencumbered clothing of spring. Also, the idea of bringing back something as modest and antiquated as a yoke in brilliant, popping colors has me itching to start chopping up garish t-shirts to mimic the effect. Such a wonderful little surprise...



If there is one thing I do not like in this collection, it is the jackets. Goot chose to add these drably formed jackets over several of the pieces, ending in awkward sleeves that are unsure whether they live below the shoulder or above the elbow. They remind me of those half sleeve cardigans old women wear to hide their unsightly arm flub. I found these unshapely additions entirely too excessive against the clean look of the collection, and found their overall effect was to make many of the wearers look matronly more than anything else.





However, even with that small misstep, Goot redeems himself to me with the brilliance of the successful pieces. This is a designer who is simply only getting better, and I continue to look forward to where his designs are heading - I like the direction very, very much. Also, getting a hold of those fabulous, fabulous shoes has become a new mission in my life.

Thuy

If there is one thing I love, it's lazy fabrics. What do I mean by "lazy"? Lazy is my interpretation of fabrics that hold no organic shape, that droop and fold in stunning, unexpected ways, not giving a care for any sense of rigidity or standards of form you try to set to it. Silk is a lazy fabric, onion-peel thin cotton; the kind of stuff you can scrunch into a tight ball, and when you release it, it's as good as it was before. Lazy, like my own heart.

However, my love for lazy fabrics often comes into conflict with my passion for heavy tailoring. I come from a family of tailors, shoemakers and seamstresses. Nothing makes my heart go a'quiver more than a garment that is exceptionally well tailored. Alas, what does one do when you love two separate schools of form.

Meet Thuy. Thuy, (pronounced "Twee") is a Parson graduate who I am quite sure shares my passion for the loose and the structured, and specifically bridging that fickle gap between. Also the progeny of tailors, Thuy's designs high tailored outfits with the softest, most flowing fabrics. The result is a collection that is a stunning example of casual and refined, an "elegant ragamuffin" style, if you will.













To see more of Thuy's work, click here.

Sharing the Deal Love

Top to Bottom: Jenny Yuen Hitchcock Satchel, Alexis Hudson Cortina Clutch, Cynthia Rowley Rapture Nappa, Linea Pelle Dylan Croco Folding Clutch

What is mine, is yours, my very fine viewers. So when Style Hive sends me a very sweet bag deal, I feel it is my civic duty to let you know about it, particularly when said offer gives you 25% OFF HANDBAGS. To get the deal, simply go to Stefanibags.com, and enter the code STYLEHIVE25. Then jump up and down in glee, as you just scored a sweet deal on a fab bag.

But wh wh wait is gets worse! Nylon Magazine is offering $30 off any purchase of $150 or more at Bluefly.com. Just enter NYLON30 at checkout.

You think I'm done? EHHH! WRONG. Finally, Victoria's Secret is offering 25% off any single item today (that's TODAY, as in NOT TOMORROW). The code is 25ITEM.

Now go forth, and purchasify.

Crafted Couture

I spent the majority of Sunday creating a top from a pair of trousers whose fabric I became smitten with, and I suppose it's for this reason I got to thinking about "hand-crafted couture"

For most of us, the word couture brings one word screaming to mind: "money." Couture is too much for the everyday fashionista, the kind of clothing reserved for those who have released their first blockbuster movie, or whose fathers own several hotels throughout the world. It's the aspiration of fashion, the stuff that our literal fashion dreams are made of.

However, what makes couture couture? A little investigation, and I found that maybe we are mislead in what the essence of couture truly is. According to the Free Dictionary, the formal definition of "couture" leaves a bit to ponder:

1. The business of designing, making, and selling highly fashionable, usually custom-made clothing for women.
2. Dressmakers and fashion designers considered as a group.
3. The high-fashion clothing created by designers.

In each of these, the essence behind the definition is not costliness, rarity or even status. It's CRAFT. The core idea behind what makes something couture is the act of creation, of something that is the antithesis of mass-produced, uniform and machine-wrought: the vehicles that more and more prestigious fashion houses find themselves turning to in the globalized world of supply and demand.

Is it possible that couture does not truly rest with the big name designers anymore? If not, where should we turn to seek the essential heart of the couture movement?

I provide a possibility: ETSY.

Let's look at Etsy: a marketplace that allows direct contact between the producer and the consumer. There is no middleman, not arbitration party. Much of the material found on Etsy is handcrafted: it can be considered some of the most handcrafted materials available in a public forum today. Not only is it available, but consumers can actually work with the designer in creating their fashion vision: an example being the brilliant cage skirt that Susie Bubble with Angie Montreal collaborated on creating.

By far the most appealing aspect of Etsy is its accessibility to the public market. Before Etsy, many of us would never have imagined owning a hand-crafted piece of apparel, unless we were ourselves fortunate enough to be talented in this area, or were blessed with very gifted friends. Now Etsy gives all of us the opportunity to have a piece of art in our wardrobes, and for prices that are reasonable, if not at times unadulterated bargains.

Below are just a few of the examples of some of the fine outfits being created on Etsy - a more thorough search would surely turn up a wealth of other notable pieces and designers. But much like Etsy itself, these are just the tip of the iceburg.


sculpted cocktail hat by tonyagrossmillinery

Finding a nice hat can be a trying experience, on both your sanity and your wallet. Etsy currently has a veritable explosion of talented designers creating a wealth of gorgeous headware, like this lovely piece by Tony Grossman.


Bustle by artlab

Along with standard basics, some of the pieces that set designers apart are the more experimental pieces. This bustle would be brilliant as a stand-alone piece, or worn under your favorite dress or skirt for a new, avant-garde effect.


Red Riding Lady by genevievedietz

An interesting trend occurring on Etsy are the micro-trends that are developing on the site itself, such as the profusion of designers creating Neo-Victorian, Neo-Bohemian, and Steampunk apparel. This lovely garment by Genevieve Dietz blends old-world chaarm with new world pop to wonderful effect.


Koparpeningur Circus Dress by desirapesta

Sweet, simple, to the point, with just a little more. For the girl looking for strong basics with unique details that separate them from the crowd, Etsy is the way to go, as is exemplified by this lovely tunic dress with a ruffled, circus-esque neckline.


Kissing Fish by andyandkitty

Need evening wear? Etsy has you covered even there. There are a crop of designers specializing in voluminous, formal gowns for weddings, special occasions and general looking your most spectacular.

Who are some of your favorite designers on Etsy?

Watching The Indies: Part 2

The Nolcha Show was a veritable cornucopia of talented designers. I spotted Amaloa's jewelry from across the room, and spent my time gazing upon it resisting the urge to reach out and touch the tactile, eclectic materials. Above is a photo of Amaloa herself, displaying her fine wears.



These are pieces that literally become an outfit. I could see pairing this necklace with a simple white tank and a pair of jeans, and being dressed up enough to go practically anywhere. Amaloa's pieces have definitely been added to my wishlist.





As many of you can probably tell from my wardrobe choices, I am a bit of a cuff-nut. I practically swooned when I caught sight of her colorful cuffs, composed of various brilliantly-hued leathers and furs, detailed with leather thong, beads and horn.



Noy too far from Amaloa, LaCroix had a kiosk. I was not familiar with LaCroix handbags, but quickly became smitten with the sturdy, well-built and stylish bags. The color choices of these three and so buttery and beautiful, I could easily see myself adopting each as my personal handbag.







Jacquelyn LaCroix bags are available to purchase online. She has a nice introduction to herself and her brand, here.

Watching the Indies: Part 1

One part of fashion week this year I deeply enjoyed was meeting so many remarkable independent designers. It seemed everywhere I turned, I encountered magnificently talented people whose specialties ranged from jewelry, to handbags, to hats, and everything in between. For instance, I met Nofar Haimovitz at the Gottex show. She was sitting beside me, and had the most remarkably beautiful hat atop her head. When I inquired about it, I learned it was her own design! (I would love to see more of Nofar's work, but sadly the internet has not yielded anything up. Nofar, if you read this, send me a line!)

Another designer I met was Charmaine Ho, whose specialty lies in handbags. Charmaine was displaying her work at Nolcha Fashion Week. I simply loved her collection of handbags, clutches and small purses made from fine, buttery leathers in warm, potent hues and simple embellishments.



Not only are Charmaine's bags beautiful, but they are also extremely affordable, coming in no higher than $200. Her bags are available for online purchase, here.







I think my favorite part about independent designers is how accessible they are, and how much you can clearly see it means to them when others appreciate their work. Now more than ever before, I think the atmosphere is most conducive for creators to really break out into the public market, with the aid of the internet. The result is brilliant people being able to do the things they thrive at, while the consumers are able to reap the rewards of the best, most unique products available.

SS09 Runway Review: Sarar / Eva Zissu / Royal Sunday at Nolcha

As I have said previously, my favorite shows by far during Fashion Week were the smaller shows, highlighting up-and-coming fashion houses and independent designers with talent bursting from every seam. By far my favorite shows were hosted at Nolcha. Nolcha is a global fashion industry network that works to introduce designers from around the world to the world at large, and Nolcha fashion week is a presentation of selected designers work to a national audience.

Nolcha shows run a bit differently than your regular tent show. For starters, besides the main show, the location plays host to numerous smaller, independent designers that display their collections in a gallery setting. It is quite pleasant to walk around before and after shows, and find yourself surrounded by even more stunning work than simply the show itself. Nolcha also varies from a standard show in that each show hosts multiple designers, varying from three to roughly a dozen. As fashion shows tend to happen absurdly fast, I feel this is an excellent variation - who ever complained about having to see more great fashion?

Nolcha kicked off this season with three designers of varyied talents: SARAR (high-end menswear), Eva Zissu (handbags and accessories) and Royal Sunday (street style). Of the three, SARAR is by far the most established brand, having been in the business for over 60 years. SARAR is Turkey-based company that was established in 1944 by Abdullahman Sarar, specializing in elegant, finely made menswear. Though this company has had a rich history, the last few years have been particularly developmental for them as a brand. In 2005, SARAR launched their CSS brand to a more middle-income audience, and have also opened their line to include women's wear. Over the last few years they have opened numerous flagship stores worldwide, the most recent in Manhattan. This Nolcha show marked their first ever fashion show.

Simply put, SARAR makes beautiful clothes. Not only is each piece exquisitely tailored, but the materials used in their creation are pieces of art in their own right. Rich, tactile tweeds, wool, and cottons and silks dominate in this collection, the result being a suit that is less a garment than a companion, a piece that is sure to last in both quality and style for the next 10 years.



This timeless style and quality also translated into the women's wear line, whose pieces were feminine and appealing, while being sturdy and well-formed. The central area of attention in most pieces were the necks, which were decked in Victorian-reminiscent ruffles, high collars, bows and ties. There was a sense of propriety and modesty in these pieces that was simply delectable.



Eva Zissu was shown after SARAR, and her bright, vivacious handbags proved an interesting counterpoint to the classicism of the previous collection. Former model, turned buyer, turned boutique owner, recently turned handbag designer, this Caracas native can whip up a bag as hot as the South American sun. Built heavily on animal print and unique leather, these bags are not for the faint-hearted or demure dame. Sizes were big and bold in flat, envelope-thin clutches and massive duffels as models strutted out with no less than three in tow, sporting matching vests and cowboy hats. With bags so striking, it should only be a matter of time until every celebrity with a bit of spunk is carrying one of these hot little numbers.



The final collection to be displayed was Royal Sunday, a Swiss design label launched in 2006, innaugurating its entrance into the U.S. Market through Nolcha's show. Royal Sunday touts that its items that are all hand tailored, finished with unique metal accents, and intended for a young, fashion-conscious generation. True to its word, RS's line did have a number of intriguing metal accents. I particularly liked the metal studded elbow patch adorning a leather jacket, and the grommets used as a form of decoration on t-shirts and slacks. With any sort of embellishment, there's always the risk that the "look" will take second stage to the "effect" - which I feel did occur in many of these pieces. It just feels like a lot of the outfits are vehicles for the effect being presented, rather than standing as strong designs in their own right. However, they are a still a very new label, and if they can hone their clothing designs into as sweet a trick as their embellishments, we're gonna have a contender on our hands.

SS09 Runway Review: Doucette Duvall

Aw, what can I say about the Doucette Duvall show? I will say this, that my most surprising lesson from Fashion Week was how much more I thoroughly enjoyed the smaller, independent shows to the large-scale tent shows. Not only did the shows feel much more intimate and gratifying, but the work in them really blew my socks off, particularly the Doucette Duvall show, and the Nolcha shows, which I will reporting on in the next few days.



The show took place in Rockefeller Plaza, which immediately made me and several other attendees curious, as the plaza is not known for having an area to accommodate a catwalk. Upon arriving, we quickly discovered why one was not necessary: the label had made the decision to have the models stand in place, and the audience to move. The room was exquisitely designed with gold-gilt framed photographs of the collection, and a few lovely pieces of furniture for the models to pose around. In order to guide the flow of traffic, green apples had been placed along the floor, creating a delicate, delicious footpath. Everything was sweet and novel about the presentation, from the adorable foot socks worn by many of the models, to the tiny, bite-size cheeseburgers and fries that were being served as hors dourves throughout the presentation.



The collection itself was simply breathtaking. Classic forms were implemented and subtly upgraded with exquisite details of bows, scalloped edges, cloth roses and careful ruffles. These details provided soft, feminine touches that were perfectly suited to the tried and true cuts. Fabric prints were either floral or striped, which immediately brings to mind the french millinery period for me, though there was something extremely Americana and uppercrust to the feeling of the collection. I was very pleased to see well-spaced florals in the prints, rather than the jammed-up florals we have been seeing in the past seasons - there is something so much more delicate and timeless about these than the current trend to jam as many flowers into as small a scrap of fabric as possible.



The collection felt like it perfectly captured the moment of prepubescence longing for womanhood - outfits that felt innocent yet utterly sexually appealing - "Lolita" immediately comes to mind, which I always felt was positively wrong term for those ridiculous doll outfits worn by so many Japanese cosplay kids. Anyone who has read "Lolita" (which is an absolutely AMAZING book, and I highly reccommend), knows that THIS is the sexiness Nabakov writes of - that divine Americana innocence of the young girl trying to climb into the skin of womanhood.



The choice to have the models stand in one place was an excellent one. There was something so fitting about the outfits being caught in leisurely tableaus rather than rushed by the eye upon a catwalk. The coquettishness that resulted from models posing for numerous cameras focused on them by passerbys only aided to that sense of shy innocence, resulting in the perfect impressions of the costumes "in their natural habitat". It also reminded me of a prom or dinner party, with young girls being the the somewhat unwilling subject of photographs and attention thrust on them by relatives. The apples were also the perfect accessory: what better model of America, and also of temptation.



Stephanie Doucette and Annebet Duvall are big participants of environmental sustainability in their line. They manufacture their entire collections in New York City's historic garment district, and as well as contributing proceeds to Build it Green. Each collection they include a "little green dress" : a piece utilizing pre-existing fabric and trim as a reminder of their commitment to "Madame Earth." I am not sure if the green dress on the left is that dress from that collection, but a part of me thinks it might be, and it is certainly the most fitting, as it has "Earth Mother" written all over it, and is one of my favorites.



I have never been one to like things overstated - give me a feather to a sledgehammer any day of the week. And the thing I love about this collection is how subtle the grace in the pieces is - how it accomplishes making the woman wearing them look "dressed up" without being "dressed up" - which to me is the ultimate goal of fashion, creating a second skin that is intuitively suited to the wearer. It's even more inspiring to know that such lovely garments a coming from a line that is only 3 years old. Keep your eyes on Doucell Duvette - they will continue to make utterly covetable outfits, mark my words.

SS09 Runway Review: House of Cassette

House of Casette is an independent fashion label based in Los Angeles. The brand is spearheaded by Peter James Lee, a designer who has traveled extensively, and formerly worked for Puma.



Cassette's fashion is built upon strong, well crafted basics, and Sunday's collection was no exception. Menswear definitely dominated the night, perfecting mens' slim shorts and trousers in tight tailoring and careful form. Tops and outerwear held a schoolyard flare: whether tough bully, nerd, or reform school good boy. Men's shorts have been slowly rising in the ranks in terms of formality and popularity, and Cassette continued and perfected this trend, pairing slim shorts with dress shirts, cardigans and bow ties. I find the effect totally captivating: I feel it makes the men look like they are mature, yet still hold that element of youthful innocence. Cassette prides itself in not being over processed, and the tactility of the simple fabrics was palpable. The majority of pieces were in black, I imagine to optimize utility.



Womenswear kept it simple and well sculpted, concentrating on blousy tops and dresses, many inspired or spun off from the simple t-shirt, and trousers tight and tapered. Hemlines were kept short, often paired with tights and leggings. I particularly liked the hooded jacket (shown above), carefully formed in such a way that it accomplished the "hiding" look without the making it look like it was overwhelming the wearer.



Cassette brands itself as a avant-garde fashion house, and I think it was just those anti-establishment choices that are the main reasons for the reservations I came away with in this show. Particularly, I found it hard to resolve a spring collection that could be so determinedly centered around a black color palette, though I can understand the sentiment. The pieces were great basics - the kind of items you could feel being a part of an outfit, but not the center of it. Garments were strongly constructed and brilliantly formed, but also very "safe": I would have enjoyed seeing boundaries pushed a bit out of current popular trend. By the end of the show, when the models came out for their final walk decked in Cassette's notoriously brilliant array of colorful jeans, I felt a wash of relief to finally see a bit of color. However, let it be said that I am nothing if not an extremely colorful person - monochronism is a style I have pondered and written about in the past, and there is something inherently in it that I have a hard time fathoming and digesting.



All in all, I feel the House of Cassette is a fashion house with a lot of talent in the wings. They appear to be making clothes that many people desire to wear, conforming to the wearer's needs rather than trying to determine it for them, a sentiment I can respect, if not agree to entirely. I look forward to seeing what they turn out in the next few years, and whether time will bring with it the ability to take more risks, and really blow us all away.

SS09 Runway Review: Rubin Singer

Rubin Singer is a designer with a head for elegance, and his newest collection once more taps into his classic-fresh aesthetic, incorporating fun pop elements into classic fashion forms.


Images courtesy of Coutorture.com

Stripes and polka-dots are leveraged with careful grace in much of the evening wear, colored in strong blacks and lovely champagne hues. The combination is timeless, yet not as severe as the black/white duo often associated with these forms. Whether it's popping dots on a full length gown, or bold candy-stripes on a short no-nonsense number, the results are dresses that succeed in being both extremely elegant and divinely fun. The music played during the display of these pieces was built around lines by Sinatra, who I feel really encapsulates the spirit of these outfits - that suave formality, with a charming, devilish sense of fun.


Images courtesy of Coutorture.com

Outerwear was also very notable in this collection, playing off of dramatic, bold shapes and larger-than-life details. Audible praise could be heard in the audience at the appearance of the champagne jacket, bearing an over-sized hood and striped interior. A cool silver woodgrain fabric was a nice counterpoint to the warmth of the champagne/black combinations, and a unique way to modernize such an organic design.


Images courtesy of Coutorture.com

Prints were splashy and painterly, shown in either a vivacious wash of orange, blues and violet or a subtler inky blue, whose mountain and fan shapes seem to carry an Asian influence. Pieces utilizing these fabrics were less structured, and more loose and flowing, centering on the movement of the fabric to fully convey the loose movement translated in the fabric print.

All together, the collection was a brilliant introduction to Fashion Week - Singer is a classic designer, and his collection this season is an exciting preview of the season to come.

Leg Warming For Fall

With cool weather on the horizon, now is an excellent time to start stocking up on those pieces of apparel that will prove so lifesaving when the chilly days arrive. For me, the most important article I am stocking up on is legwear. I am an enormous baby when it comes to cold weather, so it's important that I have fall clothing that is both cute and warm - and nothing is better equipped to handle this than a great pair of tights or leggings.

My favorite place to purchase tights, leggings and socks is Sockdreams.com. I first blogged about Sockdreams several years ago, when I had another blog, entitled Pieeyeddesign.com. Since then, I am happy to report that Sockdreams has branched out - they now have a physical storefront in Portland, and their online selection is better than ever.


Clockwise from Left Simone's Argyle Tights in Dark Orange, Simone's Wide Striped Tights in Wine,Simone's Argyle Tights in Dark Green,Simone's Wide Striped Tights in Navy

The one thing to note about Sockdreams.com is that their inventory changes constantly - which is great for selection, but it's wise to keep in mind that if you see something you like, you should grab it up fast! Hopping on last night, I couldn't help but grab up a few styles that were being removed from their inventory permanently. These will be perfect for those fall and winter days when I will be desperate to keep my legs warm.



Clockwise from Left American Apparel Shiny Legging in Eel, SockDreams Ribbed Cotton Tights in Black, American Apparel Shiny Legging in Lame' Black

Another staple for this autumn and fall are black leggings. Warm and adaptable, they are a great touch to any cool weather outfit. Even better, there are a mind blowing selection available today, in a variety of colors, styles and sizes. I nabbed up three new pairs for this fall: a standard knit set from SockDreams, and two sets of shiny leggings from American Apparel in Black Eel and Lame' Black. The Lame' Black have a matte, almost rubber look, which will be perfect to spice up and warm up any short dresses and skirts. A good tip is that you can also purchase leggings in a size up, to create a looser, more pants-like piece (just make sure the booty doesn't sag ;), which is just what I did with the Black Eel style. Since the leg is longer on a larger size, the leggings bunch a bit around my ankles, creating a fun, casual look that will be perfect for large tops and sweaters.

For all tights and leggings, the most important thing to remember is CARE. Leggings need to be treated with kid gloves to maintain their elasticity, color and quality. Read the care directions carefully on all pairs you purchase. If directions state that machine washing can be used, make sure you invest in a laundry bag to pop them in, or you might find yourself out one pair of leggings, and in one enormous KNOT. Personally, I find the best method of care is to hand wash your tights and leggings in warm water with a little bit of Woolite, and then hang dry. It also tends to feel very glamorous hanging hosiery all over your pad (though I am sure Fiance Kaboom would disagree;).

Fall 2008 Fashion Review: Marni

Images courtesy of Style.com

There are many collections this fall that I enjoy, but I think my absolute favorite is Marni’s AW08 collection. Consuelo Castiglioni returned to her minimalist designs from last season, but I feel she refined this season’s work by taking out the fluff and truly letting the fabrics and the shapes of the garments take the forefront. Whereas in the spring/summer collection Castiglioni used a good deal of printing and unique, quirky fabrics, this season centers around the old classics: tweeds, silk, printed knits and fur in a stunning palette of pastel shades and muted colors.


Images courtesy of Style.com

The entire collection seems to take a strong influence from the 1920’s and art nouveau. The silhouettes are long and straight, with skirts resting just below the knee. Blouses and dresses drape loosely over the forms, incorporating a good amount of fabric. All the pieces include beautiful striped stockings or knee socks, and platform shoes ending in a square toe – an ideal touch for such an architectural collection.


Images courtesy of Style.com

Fabric effects are brought to a minimum in this collection, but when they are used they are broad statements that encompass the entire garment. Particular favorites of mine are the mustard yellow and black checkered skirt and the wonderful diamond lattice texture in the duotone skirt suit. Particular interest can be taken in the pieces that employ the most unique patterns in the collection – as these are the ones that seem to embody art nouveau. Not only are the models adorned in these nostalgic, graceful patterns, but the headpieces that adorn their heads are highly reminiscent of the wreaths of fruit and flowers that often garland the heads of female archetypes depicted in the period work.


Images courtesy of Style.com

Integrate Marni style into your wardrobe this season by opting for loose trousers and blouses in pastel and muted colors. Trousers should end a little above the ankle, to prevent them from looking baggy. Choose colors that compliment each other, but do not be afraid of adding a third or fourth flash of color to make the look “pop.” A cardigan or light jacket can be worn over the outfir, cinched in place with a sleek belt. Accessorize your outfit with striped socks, and vintage headband and maryjanes, and you are ready to hit the streets in your modern classic style.

Fall 2008 Fashion Review: Gucci

Images courtesy of Style.com

When I think of Gucci, I think of luxury, sexiness, sumptuousness – and maybe ladies blinged out to the max. I think this has a lot to do with my eighties upbringing, a time when sophistication and lavishing in the expensive reached new heights, with Gucci the call to arms of affluence in fashion. But looking at Gucci’s stunning AW08 collection, I am forced to reassess my former opinion. Frida Giannini has done a remarkable job taking a brand that had a high potential of becoming dated after its rise as the hallmark of opulence, and bringing into the new age of cultural assimilation and bohemian sensibility, all the while preserving that sense of sumptuousness that makes Gucci Gucci.

This collection is a perfect example of her accomplishment. Giannini has pulled from bohemian, folk and middle-eastern influences to create outfits that feel sleek, sexy, yet culturally relevant, well-traveled and ethnic. The result is what I like to think of as a “sexy matroshka” – outfits that feel smart, sophisticated, yet down-to-earth and traditionally aware.


Images courtesy of Style.com

Many of the ensembles in the collection have an almost uniform-like composition: black slacks, black boots, beautiful belt scarves, decadent waistcoats over blouses and turtlenecks that provide vivacious punches of color. The pieces all carry old-world embellishments that make them feel rooted in tradition – particularly the gypsy belt-scarves and the waistcoats, which vary from caftan-esque knits to carefully embroidered coats, finished with military buttons.


Images courtesy of Style.com

The footwear in this collection is particularly appealing. Many pieces incorporate long-fringed boots, which add a wonderful movement to the costumes. Others incorporate heavily studded ankle boots, which look both traditional in their decoration, but entirely new and unique in their construction. I am quite smitten with these beauties.



Incorporate Gucci’s style into your fall wardrobe by opting for form-fitting leggings, waistcoats and tops that pop with color. Wrap a large, ethnic scarf around your waist to add a dash of color, and don’t be afraid to pile on the belts. Finish the look with fringed boots, and chunky, ethnic gold jewelry. A no-nonsense black bag and dark sunglasses brings the whole thing together.

Fall 2008 Review: Dries Van Noten

Images courtesy of Style.com

Dries Van Noten has been quickly ascending as one of the most applauded designers today, particularly in the department of footwear, in which his shoes have garnered an almost cult-like following, However, Van Noten’s AW08 collection shows us that his sense of garment design is just as acute as his panache for sharp footware.


Images courtesy of Style.com

Van Noten’s collection seems inspired by a trip into your rich Grandma’s attic: vintage furs, chunky oversized sweaters, embroidered Eastern coats from long-ago travels, brought together with modern-art inspired prints on blouses, skirts and slacks. Throw in some men’s trouser socks to ground the entire look with a smart black base, and a look is created that is eclectic, romantic and divine.


Images courtesy of Style.com

The look is one of elegant clutter - a variation of prints and textures brought together with a careful eye. diaphanous skirts and slacks are mingled with coarser, knobby knitting and fur that is spiky or textured. But my absolute favorite touch are the necklaces - whose beads are so loud and pronounced they appear to be numerous bangles strung together. A smaller accessory would be completely drowned out in these outfits, and I admire that Van Noten created a unique accessory that could compete with such ensembles and be entirely captivating in its own right.

Work this look into your fall apparel by being bold - don't be afraid to mix strong prints and textures against one another. Mix your floral print skirts from the summer with large, heavy sweaters. Printed fabrics brought together can be married with the right accessories -- a neutral fur vest, black scarves, and of course, black shoes and black trouser socks. Find the chunkiest necklace you can get your hands on to complete the look, or better yet, make your own from cheap bangles (which is what I am sure to do).

Fall 2008 Fashion Review: Stella McCartney

If your personal sense of style revolves around comfort, like mine, then Stella McCartney is the ideal designer. Her pieces always carry a sense of grace and elegance in even the most casual fabrics. Her AW08 collection once more delves into pushing the envelope on couture and comfort, this time through a greyscale color palette, heavy knits, and loose, billowing, one-piece garments that almost cocoon the wearer in the material. The effect is altogether elegant, sensual and stunning.


Images courtesy ofStyle.com

Many of the pieces in McCartney's collection utilize elaborate intarsia (a flat knit fabric with patterns knitted in solid colors), but unlike the chunky, kitsch effect that the style is often associated with, McCartney adds refinement by using loose-form patterns, or elaborate patterns rendered in a grey color palette, which creates a more subtle, sophisticated effect. This successfully translates the look into a much higher caliber, turning a style rather charming and folksy into one of the utmost elegance.


Images courtesy ofStyle.com

In my opinion, an almost Elizabethan influence can be found in several pieces of the collection, particularly the evening wear piece above. Again, these two dresses are examples of the way McCartney can take the most simple, casual ideas – in this case, a nightgown and an oversized sweater, and turn them into sheer elegance through shaping and details. The effect is almost geisha-like and old world – the beauty of the woman lies in what is hidden rather than what is revealed. The sexiness of the female in repose, if you will.

You can capture McCartney's cool comfort by sticking to greys and blacks, and donning uncluttered, large, simple knits. Keep the look uncluttered with accessories -- in this case, something soft like a scarf is more appropriate than jewelry. Pair an oversized sweater with another large knit piece (like a vest or cardigan), simple black leggings and black accessories. The look will leave you looking elegant and ready for the elements, while feeling comfy to the max.

In Love With Ombre

I have a brand new obsession - ombre. Ombre is a French term that means "shaded". As it refers to textiles, it is used to describe fabrics "with a dyed, printed, or woven design in which the color is graduated from light to dark and often into stripes of varying shades" (Fibre2Fashion.com). The effect of this gradation is a smooth, liquid-like fabric that blends colors in rather magical way.

I think my obsession began with this stunning dress worn by Angelina Jolie last year:



Ever since, I have been seeing ombre everywhere, and I cannot get enough of it. I have always been drawn to muted colors, and it delights me that ombre is an effect that really shines in a more neutral, toned-down color palette.

Below are some of my personal favorite ombre pieces:


Missoni Ombre-Striped Cape & Dress



Anthropologie Cool Dip Chemise



Prada Ombre Leather Handbag




Vince Ombre Cashmere Cardigan



Badgley Mischka Gathered Ombre Halter Gown


I can't wait to get my hands on a few pieces of my own.
What do you think of ombre? Love or hate?

Spat Attack

I have been trying to figure out what to do about my little shoe problem. I love, love, love shoes. The simple fact is that I can always justify a shoe purchase due to their practicality - I mean, I can't go about barefoot, can I? However, I live in a little place, and my shoe fetish, combined with Boyfriend Kaboom's policy of buying any footwear that fits, is leading to a bit of a shoe-alanche in the apartment. How can I curb my love for footwear, but still fulfill my love for foot-decor?

I have found the answer - and that answer is SPATS.

Spats/Gaiters are a piece of apparel that most people associate with the 19th and early 20th century, and most often kindle in the mind visions of men in three-piece suits, along with jodhpurs, pince-nez and top hats. However, I am pleased to report that spats are making a new, glorious comeback. And for a space-constrained city girl, they can prove the solution to switching up styles on your peds, without shelling out the money or room for more shoes. Several designers are making the style their own, and doing some glorious things with this fashion throwback. Here are some of my favs...


Maide Spats
Maide is a German-based designer of spats so decked out and resplendent in lace, frills, ribbons and detail that you may just feel your feet are simply to precious to touch the ground. Not only that, but all of her work is animal-friendly and vegan.


Fancy Leather Gaiterettes by LesFrivolites
LesFrivolites Etsy shop is full of delightful objects, but these cut leather gaiterettes are simple swoon-worthy. Turn any shoe into an elaborate, fanciful vessel for your feet!


"The Preacher" and "The Sound" by Posso the Spat
Posso the Spat takes a fantastic, futuristic take on the spat, crafting them in killer black leathers, gold, silver, and snakeskin. These are guaranteed to make even the plainest pair of shoes a piece of coveted couture.


Givenchy
Givenchy's latest collection features these supple, long gaiters. Elle described them as making the models look like Clydesdale horses, and I couldn't agree (or love it) more.


For more spat love, read:

"Spats - A Return to Civilized Attire" by Paul Kiernan (Atomic Magazine)

"Spats!" by jitterbugbaby (Shoeblog.com)

Spat How-to by Minnie (Thank you for not being perky)

"Lace Up Some Sexy Spats"(telegraph.co.uk)

Feeling Like a Hussy

The hot, hot summer has finally hit the Big Apple, and it is KILLER. It's hard to resist the urge to morph into a puddle of goo on the way to work and just slide into a sewer. New York heat is brutal and unyielding, with nary a tree or breeze in sight to offer some respite.

Still, every heat wave has a silver lining, and for me, that lining is Hussy apparel. Created by Australian designer Marie Hatzis, Hussy's line is chock full of slinky dresses, breezy frocks, and sweet little jumpers that dare the heat to make the wearer look anything but hot, cool and comfortable. Crafted with light fabrics and adoring details, Hussy's styles blend the very best of vintage accents with modern cuts, for an effect the is so fun yet so classic.

Gazing upon outfits like, the prospect of a never-ending heat wave doesn't seem that bad at all.











See the full summer collection here.
I wonder if I can swap my air conditioner for a dress...

mo mo mociun

mocuin collection

I love the homespun, colorful look of Mociun, the designs of Caitlin Mociun. A native Californian and graduate of RISD, Caitlin creates work that is heavily based on arts & crafts, creating pieces with couture detail but heavily grounded in the tactile realm of patterns, fabric and material. The result is a collection that is natural, personal, and longing for you to reach out and touch it.









See the full collection here

Snatched from Allure

Claimed!: Jodhpur Pant by Orphan

I have found the pants of my dreams. I want to marry these pants, move to the country, and have a family of shorts with them.

They are Orphan Jodhpur Pants and I CANNOT get enough of them.



I will be honest, I was rather nervous about these pants. Sure, they looked amazing on the model, but a garbage bag full of banana peels can look good on a model with the right stuff. Could I really pull these off? I decided to give it a shot, and I am sooooo happy I did.

The pants are the most tailored piece of clothing I have ever owned. The amount of craft and detail put into them is simply breathtaking, and makes me feel like I really own a piece that has a lot of love poured into it.



There are large sectional pieces placed through the seat of the pant, so the result isn't just a saggy bag, but a carefully dropped seat that drapes just right.



To counter the looseness of the seat, the legs are tapered to within an inch of their lives, in an incredibly clever way. The buttons along the side allow the wearer to make these pants as form-fitting as possible, without going through hours of trying to wriggle yourself into a leg with the aid of Crisco.



But the piece de resistance is certainly the buttons in the crotch. Running the entire drop of the crotch to the top of the waist, and peeking just so from the cover cloth for an effect that is divinely sweet and fun. The effect is simply glorious.

I have a feeling these guys are gonna be my uniform this autumn. Thank you, Pixie Market!

My Bug About Bags.

"Designer Handbags" by allaboutreplica

As well as being shoe crazy, I am rather bag crazy, though in a different way. I love many, many shoes, but I love very few bags. I am a bag snob, a bag elitest, a bag snubber.

My main bug with bags is that there are far too few that accomplish being both functional AND stylish. I do not understand why this combination is so tricky to perform - maybe I have a different set of standards than those of the rest of the world. But it seems to me that any sane-minded person would desire an ultra-compartmental, ultra-pocketed bag that is also stylish enough that it doesn't look like I am dragging around a glorified pocket protector. Is this so wrong?

Far too often I eye a gloriously constructed bag from across a store, only to be sorely disappointed when I pull back the zipper, clasp, or other closure device. Whether it is big and chunky, small and dainty, or mid-sized and manageable, exteriors aside, designer bags are often just a sack, and that bothers me deeply.


"Louis Vuitton Voyager Handbag, Prague" by julie3jax

My bag must be so much more than a sack. It is my life containment unit, the vessel for which I choose to carry all the accruments i deem necessary in my daily life. That means books, wallet, technology and a variety of tiny implements. When you toss all of those into a simple sack, do you know what you have?

A nightmare, that is what you have.

Similarly, every time I find a bag that can actually add a little order to my life, it tends to be hideous. On several occasions I have found myself contemplating the purchase of a piss poor looking bag, simply because those are the ones that tend to be organizational miracles. They also look like the equivalent of wearing a non-ironic fanny pack. And it is not a question of lack of talent - because there is a rising market of bags coming out that ARE incredibly compartmental - they are just not being marketed to me. I was recently admiring the computer bag my CD picked up. It was super - it had pen and pencil holders, and was riddled with compartments and sections galore. It was also pvc - a charcoal black, bulky man-bag, and a very nice one at that. It's great for guys, but there's no way I would be caught carry one.


"jimmy-choo-face-bag" by Kevin the Collie

Designers of the world, hear me. I believe we can DO THIS. We have the technology. We have the wallets. The modern woman of today is carrying hella' more than a compact and handkerchief. We are professionals, students, mothers. We have a MOUNTAIN of stuff to carry around, and we have no time to waste rifling in our purses looking for lost lip gloss.

We love your bags. Love them so much we will go as far as to LEASE them, like they were Buicks. But you have to do something for us in return - make bags that fit our needs. Next time you make one of those giant sack-purses that are all the rage, try chucking a divider or two in that thing, maybe even more than a single zippered pocket. Why must my cell phone, keys and Altoids all vie for that coveted pocket? Is there a moratorium on zippers??

I dream of a day, not too far in the future, when I can have a bag as beautiful on the inside, as it is on the outside. Like Oprah Winfrey, except with a convenient shoulder strap.

Claimed! Miss Sixty Adrian Boots

I love buying things out of season. Nothing makes me happier for the upcoming weather than picking up something warm in the cold months and cold in the warm ones. Well ok, there is one other thing that is as wonderful: the fact that the particular item is usually over 50% off its original price!

So, you can only imagine my sheer, unadulterated joy when I picked up these babies at a sample sale a few weeks ago:



I have long been in need of a pair of big, black boots. These Miss Sixty Adrian boots are simply amazing, and everything I was coveting. The leather is the softest stuff I have ever encountered, and they are super tall and super comfy. My wallet would have been hurting something awful picking them up at their retail price, but I managed to snatch these up for a song.



My particular favorite part about these boots is the detailing around the ankle. I love the straps, buckles, but especially the charm that hangs from one of the shoes. It is such a cute and sweet little detail, and even makes a chiming click when I walk about. I actually have become rather inspired with the idea charms on boots: perhaps I will decorate the entire pair with little gold and silver charms along the straps. You will then hear me coming from a mile away.



I can barely wait until the weather cools down so I can start stomping around in these beauts. I am a summer child, but there's nothing like a good pair of boots to help heal that hurt round end of the season.

Flikr Fan: anneso_cachemireet soie

Anne-Solange, is a french writer and journalist. Since discovering her on wardrobe_remix, I have been completely smitten with her photostream. Not only is her sense of style completely wonderful, but her photographs are excellently shot.

Solange's style is a mix of elegant and playful, full of lovely muted hues and delightful details. Just looking at her photos makes me long to visit to France, where I have come to believe that sunlight is lemon-colored, and everyone dresses amazing all the time.












See her entire photostream here.

Once Upon A Time...

Collection of Fairy tale inspired fashion sets by Jillian

Fairy tales are the myths of our society, stories that have become as integral to our culture as our history and morals. The first stories we learn as children are often our culture's fairy tales, often the same stories that our parents heard when they were young.

I've always been fascinated with fairy tales; how they came to be and how they have evolved through time. The characters themselves as archetypes: are you a vulnerable Riding Hood, or a curious Aurora? An overworked Cinderella, or a hunted Snow White? A boyish Peter Pan, or a devilish Captain Hook?

You get the idea.

Here are some links on fairy tales that are particularly intriguing...

"The Fairy Tale Life" by Jillian: A great article about fashion and fairy tales.

"The Science of Fairy Tales" by Chris Gorski: An amusing article on the real-life science behind our oldest tales.

"Folklore, Myth and Legend": A wonderful resource of folk and fairy tale archives available online.

"HiveSlides: Fairy Tale Fashion": A collection of styles that are fairytale-inspired.

Mag-Tear 1

Are you a mag-tearer? Do you dismantle your magazines to pull out your favorite images? Or does the idea of marring that Vogue bring you to tears?

I am a little of both - in the past, I have torn my mags asunder (a huge binder in my office filled to the brim is the result of these massacres), but lately I just can't bring myself to do it - the bibliophile in me simply shudders at the prospect.

Fortunately, the powers of the internet once again save the day! No longer must I damage my fav mags to snatch up those images I adore. There are now entire communities dedicated to this endeavor! It's like I've died and gone to mag-tear heaven!

Here are some of the recent favs I've come across...


Kate Moss For Vogue Paris
This Kate Moss cover is seventies-errific!


Sasha Pivovarova in Vogue Russia August 2007
Ph: Migeul Riveriego
A new application of makeup: the human palette.


Catherine McNeil, "Cowboy Cat" Ph: Greg kadel
Numero #90 February 2008
Smolderin looks, slim lines, long dresses and legwarmers: It's like Sophia Loren meets Flashdance.


Olga Sherer in Numero 93
I love how hair becomes an environment in this set. Simply stunning.


Han Hye-Jin, & Eugenia M, “Ethereal Romance” Ph: Will Davidson, Vogue China March 2008
An utterly inspiring color palette, landscape, and costume.

Do you mag-tear or mag-save? If you know any good mag-tear sites, holla!

Court Life vs. Club Land

Lauren of "Marie Antoinette's Gossip Guide" has written a fantastic comparison between 18th century aristocratic culture and the club scene in the 1980's. As an avid fan of both periods, I feel she did a wonderful job assessing the principal overlaps between the two cultures: extreme vanity, excessive spending, and utter abandonment into fantastic hedonism, among others.

Read the whole article here. And then admit to yourself that you'd like to don pink lipstick, a pompadour and rock like a noble until the sun comes up.

There Be Hair, Both Here and There, In the Shape of...A Bear?

Let me tell you a little bit about Nagi Noda. Nagi is a Japanese designer, and dominating nominee for "Person I Would Most Care to be When I Grow Up." An art director who became known for her cutting-edge work in print design, Noda was soon drafted by the big boys, specifically, Nike and the famed Laforet. More recently, Noda has moved into video, where she has proceeded to sweep awards with her music videos and commercials.

Nagi Noda's work is simply stunning: based deeply in surrealism, she makes whimsical works that are as beautiful as they are mind-bending; whether it's costume bags or poodle aerobics or carnivorous flower bunnies. She is also so prolific with these new ideas it is liable to make ones head spin. I could fill this blog for a month with her awesome projects and achievements. But I'm here to talk about my favorite project of hers, HAIR, and the wondrous things Nagi Noda has done with it...




These hair styles are so amazing. I long for a world where we all sculpt our hair into the animal we feel most inclined to that day. Feeling freaky? French braid a ferret. A bit bland? Bouffant a toucan. Full of pity? Plait a kitty.




















See the rest of the ferocious styles here.

Roots Picnic

This weekend, me and Boyfriend Kaboom headed down to my old stomping grounds in Philadelphia for the Roots Picnic. Philadelphia was the first city I ever lived in on my own, and I think that in a sense there will always be a part of me that is a Philly girl. Philadelphia has this lifestyle that is unique to anywhere i have been, a result of awesome people, a close-knit community and lots of trees (it's also the only city you'll see kids hanging out on horses). More than anything, the thing I miss most is Philly's sense of style: a independence and trust in personal wardrobe free of any constraint but whim. While at the show, I couldn't resist snapping a few shots of some of the fantastic individuals who caught my eye.


Ayana M. Case is a stylist and publicist from New York, who knows how to do some glorious things with a wrap dress.


It was a scorching day, but Mia looked cool and pretty in a polka-dot dress and Alphonse Mucha-inspired parasol (that I fought the urge to snatch!)


Tomia & Jordan played under the hose to stay cool, and their bohemian outfits were lovely, even drenched!


Sarah chilled in an ensemble as easy in the heat as it was on the eye. Touches of colorful luminescence in the bag and shoes are my favorite part.

Somehow, I even managed to get a shot of Boyfriend Kaboom making a somewhat tolerable face:

Felipe Oliveira Baptista's Supergirls

I am completely smitten with Portuguese designer Felipe Oliveira Baptista's 2008 Summer Collection. It is bursting with such luscious colors, shapes and a sense of fun that it just makes me giddy to gaze upon. Baptista succeeds in using large geometric shapes and strong colors while maintaining a soft, feminine grace, a rather tricky and remarkably impressive endeavor. The color-play across the entire collection is not only insanely fun and vibrant, but succeeds in marrying many different styles under one collection: from punk-rock lightning bolts to peasant capes to hippy fringe to frock coats.













See the entire colection here.

The superhero-esque masks are simply too sweet, and the icing on the cake of this amazing collection. Do you think I can get away with wearing one this summer?

(snatched from Allure)

Light and Dots and Stripes O My!

Is it just me, or is fashion photography getting better? These images by Solve Sundsbo are simply brilliant. I love it when someone creates something amazing from something simple, and it's amazing how simple light can create such a wonderful transcendent effect.











See the rest of the set here.
(Snatched from Gala)

Brigid McLaughlin's Summer Rush

With summer just around the corner, I start longing for light, diaphanous fabrics; clothes that allow those warm breezes to reach my skin. The summer is the time when I feel closest to nature - when the elements are no longer something to contend with, but delight in, particularly through my wardrobe. If the time I get to wear such light garments is still several weeks away, then looking at Brigid McLaughlin's collection is a close second. Brigid is an Australian designer who launched her independent collection in 2006, and when I gaze upon her summer collection I can almost taste the sea-salt in the air, and the sand between my toes...











Summer, you can't come fast enough.

Grand Imaginers: James Jean & Prada Make Some Magic

By far, my favorite professional artist in the field today is James Jean. I have been a die-hard fan since I picked up the first edition of his art book, “Process Recess”, on a whim at the MOCCA comic art fest several years ago. I was immediately captivated by his style - an ability to make drawings that combine the immediacy of a chaotic sketch with some of the cleanest drawn lines I have ever seen. The man simply cannot put down a stray line. Add to that the fact that he is a pop-whiz at digital editing, and I was smitten.



That he also happens to make the covers of my favorite comic book, “Fables,” is simply the icing on the cake.



Recently, James Jean paired up with Prada in the creation of their Spring 2008 line. The results are nothing short of wonderous.







Along with apparel and illustrations, Jean created a wallpaper for Prada (I believe to be used as the background for the product line). It is currently hanging in Prada’s Beverly Hills and Soho Epicenter stores, and is a whopping 17 x 200 feet. NotCot has the entire incredible wallpaper in digital format on their site, here.


Excerpt of the wallpaper James Jean created for Prada. Click here to see the whole piece.

If all this wasn’t enough, Jean and Prada put together this short film promoting the line, featuring the music of the sister duo, CocoRosie. One of my favorite bands, backing my favorite artist, and collaborating with one of my favorite fashion houses. Someone please get behind me – I feel a swoon coming on…

My Daily Covet: Jean Paul Gaultier Open Toe Ankle Strap Pump

Torn between a pump or an oxford?
Why not wear BOTH.


Jean Paul Gaultier Open Toe Ankle Strap Pump

Prairie Underground

Prairie Underground is the brainchild of Seattle-based designers Davora Lindner and Camilla Eckersley. I have been a huge fan of this design duo for some time now, and it seems every season their collection is better than the last. But this Spring collection simply has me floored. The pieces are divinely elegant and full of whimsical detail, yet preserve the soft, comfy knits that made me fall in love with the line in the first place.


blitz knit dress



jazzy jersey dress



funnel dress, denim street girdle



cloak hoodie



long cloak hoodie, craft tunic, rauched legging

I foresee a season of treasure-hunting to get a hold of many of these pieces for my own closet.

Site Luv: Polyvore

I love...

this site...

so much!


Polyvore allows its users to build outfits, using the ENTIRE INTERNET as your closet. It’s as if someone took my forgotten love of doll-dressing and my present-love of computers and made them get it on, and this divine love child was the result of the pairing. I have not had this much fun playing with a toy since I was six, wearing scrunchies and eating mayonnaise sandwiches while getting the crap beaten out of me by my little sister (too much info, huh?).

After you make these outfits, you can post them for display on the
Polyvore community, where others can “Ooooo” and “Ahhh” over your latest masterpiece. And if you have deep enough pockets, you could even go ahead and BUY all the stuff you made the outfit with, since the images still DIRECTLY LINK to the original websites. How’s that for marketing? Particularly when said marketing is defined as, “Making me strongly consider that maybe I CAN afford a Stella McCartney piece, and that food is a rather overrated commodity.”

I could tell you that this site has not taken over every spare minute of my life. But then I would be a filthy, filthy liar. And I would never lie to you, baby.